Anya is the cover star of the May issue of ELLE magazine! Check out the stunning photoshoot and article below.
ELLE – The star of Emma and The Queen’s Gambit opens up about on-set friendships, childhood bullying, and riding out a panic attack in a corset.
It’s almost 5 p.m. London time, and Anya Taylor-Joy is “jet-lagged to shit.” Still groggy from an accidental afternoon snooze, she apologizes for pushing our Zoom back a bit, explaining, “When I nap, it’s (a) never intentional, and (b) my spirit leaves my body. I was lying there thinking, ‘Anya, don’t fall off the boat.’ And then I was like, ‘You’re not on a boat.’ So then I said, ‘Well, don’t fall out of the car.’ And I’m like, ‘Babe, you’re not in a car. You’re at home, in your bed. You’re fine.’
Anya is the cover of the latest issue of Vanity Fair! Check out the stunning photos below and the interview here.
VANITY FAIR – Isn’t the point of stars that they’re looked at? Couldn’t you assume, then, that stardom and some degree of vanity go hand in hand? For Anya Taylor-Joy, whose indelible performance in The Queen’s Gambit made it a global phenomenon, the twain have clearly never met. When we speak in January, the 24-year-old actor is in Los Angeles, shooting a highly secretive movie with director David O. Russell. All that’s known about the film is its outrageous cast—outrageous not just for the stature of its names but also for just how many names there are. My Google Alerts seem to bristle with additions each day: Robert De Niro, Chris Rock, Margot Robbie, Christian Bale, Mike Myers, etcetera, etcetera. The project will be Taylor-Joy’s 16th feature film in seven years. Still, with a lineup like this, she’s the rookie of the group.
Anya talked with V Magazine about her new film Thoroughbred.
V caught up with the actress to talk about her next thriller, Thoroughbred.
For an actor, the biggest perk of working with a director who comes from a theater background is that there are usually rehearsals, a surprisingly rare practice on most shoots. And when Anya Taylor-Joy signed on for playwright Cory Finley’s Thoroughbred, a wicked dark comedy about two childhood friends who reunite with potentially deadly consequences, the first-time filmmaker took things a step further. “Cory, Olivia [Cooke], and I sat in a room over the course of two or three days,” the actress recalls. “And rather than focus on the script and the scenes directly, we fleshed out the relationship the characters had prior to this momentary snapshot that you get of them in the movie: what they experienced together, how they kind of grew apart.” All of that work increased the tension once the cameras started rolling. “The dialogue between these two women who are just continuously trying to usurp the other using just their words…It was just Olivia and I combating with each other verbally.”
With credits like The Witch, Morgan, and Split behind her, this new film is hardly the first time the actress has delved into suspenseful territory, but the projects are high caliber enough that she skirts the scream queen label. Her choices do beg the question, though: why all the scary stuff? “I guess I like people who have been outcast from society,” she muses. “I feel like everyone’s story deserves to be told [even if] it’s not the conventional one or the likable one. In Thoroughbred, Lily isn’t the easiest person to love, but I love her.”
Taylor-Joy feels that same affection for all of her characters. “The worst I had was with Thomasin for The Witch, because I didn’t know that [characters] were real for me yet,” she says. “So, when the movie ended, I was devastated and I couldn’t really figure out where that devastation was coming from. I missed spending time with her, and she was gone. But when I saw the movie, I realized that the character went on within it.” Never mind that Thomasin makes a deal with the devil at the end—it’s still a sweet sentiment.