Category: Magazines

Anya Covers British Vogue

Anya Covers British Vogue

Anya is the cover star of British Vogue April 2022! The issue will be available on newsstands from Tuesday March 29. Take a look at the stunning photos and the article below!

Hollywood’s Punk Princess: Anya Taylor-Joy Star Talks Romance, Raving & Rebellion

From small-screen star to couture queen, British Vogue’s April 2022 cover star Anya Taylor-Joy is Hollywood royalty in the making. Vogue’s Olivia Marks meets her in Paris. Photographs by Craig McDean, styling by Kate Phelan.

VOGUE – It is late January and the end of a glittering Couture Week in Paris. As fashion editors and models head for the Eurostar under a cold, cement sky, in a studio in an industrial north-east suburb of the city, rails of gowns – Gaultier, Alaïa, Alexandre Vauthier – plucked from the catwalk during the previous days’ shows, are waiting for another outing. From a dressing room, Anya Taylor-Joy emerges in a shimmering Dior dress, made from gossamer-light silver lamé muslin, which sweeps along the floor behind her. As she steps in front of the camera, fixing those saucer-sized eyes down the lens, a crown is gently placed atop her head. Like subjects in a royal court, we all coo approvingly: all hail Queen Anya.

There is, it should be noted, nothing remotely imperious about the 25-year-old’s demeanour. I go to say hello and Taylor-Joy immediately pulls me into a hug, then springs back, mortified: “Can I?” she says, in that high, husky voice of hers, worried she has crossed a Covid-appropriate line. (Later, wrapped in a bathrobe between shots, I glimpse her sneaking outside for a quick cigarette. Legend.)

Still, this regal get-up befits a screen royal in the making. These days, it feels like Taylor-Joy is everywhere: teenage lead in indie darling Robert Eggers’s skin-crawlingly creepy The Witch in 2015; a deliciously cruel Emma (“incredibly clever, but so bored”) in Autumn de Wilde’s 2020 Austen adaptation; tragic Soho chanteuse in Edgar Wright’s chilling Last Night in Soho last year. You must have seen her small-screen outing as red-headed chess genius Beth Harmon, in Netflix’s lockdown superhit The Queen’s Gambit, the part that properly propelled her to global renown, bagging her a Golden Globe, a Sag and a Critics’ Choice award, fantastical red-carpet fashion and fans galore.
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Anya for ELLE

Anya for ELLE

Anya is the cover star of the May issue of ELLE magazine! Check out the stunning photoshoot and article below.


Anya Taylor-Joy Is the Queen of the Screen

ELLE – The star of Emma and The Queen’s Gambit opens up about on-set friendships, childhood bullying, and riding out a panic attack in a corset.

It’s almost 5 p.m. London time, and Anya Taylor-Joy is “jet-lagged to shit.” Still groggy from an accidental afternoon snooze, she apologizes for pushing our Zoom back a bit, explaining, “When I nap, it’s (a) never intentional, and (b) my spirit leaves my body. I was lying there thinking, ‘Anya, don’t fall off the boat.’ And then I was like, ‘You’re not on a boat.’ So then I said, ‘Well, don’t fall out of the car.’ And I’m like, ‘Babe, you’re not in a car. You’re at home, in your bed. You’re fine.’

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Anya Covers Vanity Fair

Anya Covers Vanity Fair

Anya is the cover of the latest issue of Vanity Fair! Check out the stunning photos below and the interview here.


Anya Taylor-Joy: The Queen’s Gambit Star on Life Before and After a Smash

VANITY FAIRIsn’t the point of stars that they’re looked at? Couldn’t you assume, then, that stardom and some degree of vanity go hand in hand? For Anya Taylor-Joy, whose indelible performance in The Queen’s Gambit made it a global phenomenon, the twain have clearly never met. When we speak in January, the 24-year-old actor is in Los Angeles, shooting a highly secretive movie with director David O. Russell. All that’s known about the film is its outrageous cast—outrageous not just for the stature of its names but also for just how many names there are. My Google Alerts seem to bristle with additions each day: Robert De Niro, Chris Rock, Margot Robbie, Christian Bale, Mike Myers, etcetera, etcetera. The project will be Taylor-Joy’s 16th feature film in seven years. Still, with a lineup like this, she’s the rookie of the group.
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Gallery Update: Magazines from 2018

Magazine scans of Anya featured in Glamour UK (March 2018) and Vogue UK (April 2018) have been added to the gallery!


Anya on Her Next Thriller, “Thoroughbred”

Anya talked with V Magazine about her new film Thoroughbred.

Anya Taylor-Joy on Her Next Thriller, and Why She Can’t Quit the Macabre

V caught up with the actress to talk about her next thriller, Thoroughbred.
For an actor, the biggest perk of working with a director who comes from a theater background is that there are usually rehearsals, a surprisingly rare practice on most shoots. And when Anya Taylor-Joy signed on for playwright Cory Finley’s Thoroughbred, a wicked dark comedy about two childhood friends who reunite with potentially deadly consequences, the first-time filmmaker took things a step further. “Cory, Olivia [Cooke], and I sat in a room over the course of two or three days,” the actress recalls. “And rather than focus on the script and the scenes directly, we fleshed out the relationship the characters had prior to this momentary snapshot that you get of them in the movie: what they experienced together, how they kind of grew apart.” All of that work increased the tension once the cameras started rolling. “The dialogue between these two women who are just continuously trying to usurp the other using just their words…It was just Olivia and I combating with each other verbally.”

With credits like The Witch, Morgan, and Split behind her, this new film is hardly the first time the actress has delved into suspenseful territory, but the projects are high caliber enough that she skirts the scream queen label. Her choices do beg the question, though: why all the scary stuff? “I guess I like people who have been outcast from society,” she muses. “I feel like everyone’s story deserves to be told [even if] it’s not the conventional one or the likable one. In Thoroughbred, Lily isn’t the easiest person to love, but I love her.”

Taylor-Joy feels that same affection for all of her characters. “The worst I had was with Thomasin for The Witch, because I didn’t know that [characters] were real for me yet,” she says. “So, when the movie ended, I was devastated and I couldn’t really figure out where that devastation was coming from. I missed spending time with her, and she was gone. But when I saw the movie, I realized that the character went on within it.” Never mind that Thomasin makes a deal with the devil at the end—it’s still a sweet sentiment.

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