Category: Magazines

Anya for ELLE

Anya for ELLE

Anya is the cover star of the May issue of ELLE magazine! Check out the stunning photoshoot and article below.


Anya Taylor-Joy Is the Queen of the Screen

ELLE – The star of Emma and The Queen’s Gambit opens up about on-set friendships, childhood bullying, and riding out a panic attack in a corset.

It’s almost 5 p.m. London time, and Anya Taylor-Joy is “jet-lagged to shit.” Still groggy from an accidental afternoon snooze, she apologizes for pushing our Zoom back a bit, explaining, “When I nap, it’s (a) never intentional, and (b) my spirit leaves my body. I was lying there thinking, ‘Anya, don’t fall off the boat.’ And then I was like, ‘You’re not on a boat.’ So then I said, ‘Well, don’t fall out of the car.’ And I’m like, ‘Babe, you’re not in a car. You’re at home, in your bed. You’re fine.’

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Anya Covers Vanity Fair

Anya Covers Vanity Fair

Anya is the cover of the latest issue of Vanity Fair! Check out the stunning photos below and the interview here.


Anya Taylor-Joy: The Queen’s Gambit Star on Life Before and After a Smash

VANITY FAIRIsn’t the point of stars that they’re looked at? Couldn’t you assume, then, that stardom and some degree of vanity go hand in hand? For Anya Taylor-Joy, whose indelible performance in The Queen’s Gambit made it a global phenomenon, the twain have clearly never met. When we speak in January, the 24-year-old actor is in Los Angeles, shooting a highly secretive movie with director David O. Russell. All that’s known about the film is its outrageous cast—outrageous not just for the stature of its names but also for just how many names there are. My Google Alerts seem to bristle with additions each day: Robert De Niro, Chris Rock, Margot Robbie, Christian Bale, Mike Myers, etcetera, etcetera. The project will be Taylor-Joy’s 16th feature film in seven years. Still, with a lineup like this, she’s the rookie of the group.
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Gallery Update: Magazines from 2018

Magazine scans of Anya featured in Glamour UK (March 2018) and Vogue UK (April 2018) have been added to the gallery!


Anya on Her Next Thriller, “Thoroughbred”

Anya talked with V Magazine about her new film Thoroughbred.

Anya Taylor-Joy on Her Next Thriller, and Why She Can’t Quit the Macabre

V caught up with the actress to talk about her next thriller, Thoroughbred.
For an actor, the biggest perk of working with a director who comes from a theater background is that there are usually rehearsals, a surprisingly rare practice on most shoots. And when Anya Taylor-Joy signed on for playwright Cory Finley’s Thoroughbred, a wicked dark comedy about two childhood friends who reunite with potentially deadly consequences, the first-time filmmaker took things a step further. “Cory, Olivia [Cooke], and I sat in a room over the course of two or three days,” the actress recalls. “And rather than focus on the script and the scenes directly, we fleshed out the relationship the characters had prior to this momentary snapshot that you get of them in the movie: what they experienced together, how they kind of grew apart.” All of that work increased the tension once the cameras started rolling. “The dialogue between these two women who are just continuously trying to usurp the other using just their words…It was just Olivia and I combating with each other verbally.”

With credits like The Witch, Morgan, and Split behind her, this new film is hardly the first time the actress has delved into suspenseful territory, but the projects are high caliber enough that she skirts the scream queen label. Her choices do beg the question, though: why all the scary stuff? “I guess I like people who have been outcast from society,” she muses. “I feel like everyone’s story deserves to be told [even if] it’s not the conventional one or the likable one. In Thoroughbred, Lily isn’t the easiest person to love, but I love her.”

Taylor-Joy feels that same affection for all of her characters. “The worst I had was with Thomasin for The Witch, because I didn’t know that [characters] were real for me yet,” she says. “So, when the movie ended, I was devastated and I couldn’t really figure out where that devastation was coming from. I missed spending time with her, and she was gone. But when I saw the movie, I realized that the character went on within it.” Never mind that Thomasin makes a deal with the devil at the end—it’s still a sweet sentiment.

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Nylon December/January 2017 Interview

Nylon December/January 2017 Interview

Success At Sundance And A Role In ‘Barry’ Are Just The Beginning For Anya Taylor-Joy

The 20-year-old actress discusses her latest projects

The following feature appears in the December/January 2017 issue of NYLON.

The first thing Anya Taylor-Joy wants to talk about is her dog. She brings up Kala, a big ball of black fluff, with puppyish enthusiasm herself, describing her as “the most ridiculous thing in the entire world” and “a teddy bear brought to life.” It’s a drizzly morning in West London, but inside this particular neighborhood café—with its bleached walls, mellow background music, and juice bar—the atmosphere is considerably sunnier. She barely sits down before pulling out her iPhone to show me a video. “You are going to have to deal with my cooing noises,” she says.

Fresh-faced and makeup-free, the incredibly busy 20-year-old actress looks reinvigorated after six days at home here in London. Born in Miami to a Spanish-English mother and an Argentinian-Scottish father, she is the youngest of six children, “the baby by a long way,” says Taylor-Joy, whose youngest sister is seven years older than her. Though her accent is as British as mine, her first language is Spanish, and she’s in the process of learning French. Growing up between England and Argentina, she’s been living “pretty much alone” in her childhood home in West London since dropping out of school at age 16 to pursue acting.

“When I say the past two years have been mad, it’s, like, legitimately mad,” she says of a schedule that includes six movies shot back-to-back following her breakout in Robert Eggers’s indie horror The Witch, which terrified and delighted audiences at Sundance earlier this year. Since then, she appeared as the titular character in the sci-fi thriller Morgan, and can be seen as Barack Obama’s sharp-witted college girlfriend in the Netflix biopic Barry, which premieres on December 16. But Taylor-Joy’s most visible role to date will come in January, as part of M. Night Shyamalan’s latest horror experiment, Split. In it, she stars alongside James McAvoy as Casey, a smart, steely heroine who, when abducted by McAvoy’s character Kevin—a sociopath with 23 competing personalities—must work with her two friends to outwit him. When asked what it is about the horror genre that draws her in, Taylor-Joy insists that neither Split nor The Witch nor Morgan are actually horror movies. They’re thrillers, she says, films that allow her to “really scream” and “exorcise a lot of feelings without becoming a psycho.”
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