Category: Photoshoots

Flaunt Magazine

Flaunt Magazine



Anya Taylor-Joy | That Nomadic Depth of Feeling

FLAUNT – “It was definitely the bloodiest and dirtiest I have ever been in my life,” laughs actor Anya Taylor-Joy, recounting her “war stories” from the set of Furiosa: A Mad Max Saga, in which she stars as the titular lead. “I remember looking at my makeup artist at one point and saying, ‘I am filthy right now!’” she recalls, sharing nothing prepared her—not even her annual trips to Glastonbury, her favorite festival, where she’s well-used to being knee-deep in mud and grime.

Taylor-Joy is almost unrecognizable in the film, covered in the deep red earth of Australia’s outback where filming took place. It’s a far cry from how she looks this morning when we speak, freshly cleansed and make-up-free, her long, recently washed hair still drying. Furiosa: A Mad Max Saga is the prequel to 2015’s Mad Max: Fury Road and the fifth installment of the Mad Max franchise that began in 1979, all co-written and directed by Australian filmmaker George Miller. They’re filmed in various rural locations across Australia where extreme heat comes as standard, as does dust and dirt from outback wildernesses that neatly double for Miller’s dystopian, post-apocalyptic near-future.

The wild landscape Taylor-Joy found herself in felt even more apocalyptic, she says, because filming took place during deep-COVID-19 lockdown and she didn’t see anyone who wasn’t cast or crew for six months. “It was a very trippy experience,” she says. “There were moments when I realized I hadn’t seen a single person who [wasn’t] a part of the film for months.”

At the end of each day, she returned to Sydney’s eerily deserted streets and her rented apartment with only a kitten for company. She especially missed her “big Latin family,” made up of her Spanish mother, Argentine father, and her five older siblings. Today, family is closer to home as we’re talking at her parents’ house in London. She looks bright-eyed, happy and relaxed as she sits in a comfy chair with her legs hunched up, nursing a morning coffee. She’s “thrilled” to have some rare time off with them over the next few days.
Continue Reading: FLAUNT

Anya for British GQ

Anya for British GQ

Anya Taylor-Joy’s Dark Material

BRITISH GQNaturally, the setting is supernatural. Rain is streaking from a sky cloaked in darkness, our meeting point a bronze statue of Diana the Huntress firing an arrow. Of course, she really does seem to come out of thin air, dressed in all black and flanked by sheets of white-blonde hair that in the grey light have the glow of a planetary eclipse. And, needless to say, she has no umbrella, no hat, no raincoat – not even a protective cloud-for-one drifting above her – but still seems both weirdly dry and glacially unperturbed.

Anya Taylor-Joy – whose career of playing satanic witches and demigods from dusty planets has apparently armed her against the elements – touches down on earth in the spectral gloom of Hyde Park’s rose garden. It is a miserable March afternoon. Even the ducks are exhibiting symptoms of late-onset seasonal affective disorder. We leave in search of shelter, my umbrella contorting inside out. Emerging through the mist are two bedraggled children, clinging onto their ponies in a scene spun from the bizarre hellscapes of Hieronymus Bosch. Taylor-Joy had originally wanted us to go horse riding today, something she learned to do as a child living in Buenos Aires, even before she could walk. She spots the children, who look even more miserable than the ducks, and says wistfully, “That could be us.”

Anya Taylor-Joy thrives in this kind of situation. Or, verbatim: “I feckin’ love this shit.” When she was 18 and on the set of her first film, Robert Eggers’ 2015 pilgrim horror The Witch, she enjoyed helping to drag camera gear out of the mud and wrangle one of her troublesome scene partners (a badly behaved goat named Charlie). Making that film with such a small budget taught her how good it felt to be useful, something she still holds onto now. Taylor-Joy never complains. Actually, that’s not true. She did complain once making Eggers’ Gladiator-with-vikings epic The Northman, but she was in freezing mud up to her knees, and she’d been in a field for an hour, and so could they please start rolling? At which point everyone realised, Shit, she must be really cold.
Continue reading: GQ

Anya for ELLE Magazine

Anya for ELLE Magazine



Anya Taylor-Joy’s Summer of Love

After an intense and isolating Furiosa shoot, the star is reveling in married life with Malcolm McRae.

ELLE – For a long time, Anya Taylor-Joy kept a secret. Aside from her mother, very few people in her life knew the truth. Anything to keep the tabloids from finding out. The fact that she and a certain new man in her life were able to keep the story as quiet as they did—for as long as they did—was, she says today, “unbelievable.”

To be clear, the secret she’s referring to was her shock appearance in Dune: Part Two, a minute-long fever dream that made international news and reportedly set up a major role in the next film. News of her cameo—unknown perhaps even to her costar Zendaya—broke just before the London premiere earlier this year. “I think Z had suspicions whilst filming,” Taylor-Joy says, adding, “I really wanted them to know. I didn’t just want to show up and be like, ‘Hi.’”

Yet there she was on the sand-colored “red carpet” in custom Dior Haute Couture, a white cape framing her face (Hi!). Nearby, Zendaya stunned in retro-futuristic Mugler. But to industry watchers, that night was about more than fashion. It was the unofficial coronation of a new class of bona fide A-list movie stars in Timothée Chalamet, Zendaya, Austin Butler, Florence Pugh, and now Anya Taylor-Joy.

At 28, Taylor-Joy was a movie star with one tiny, pesky asterisk: She hadn’t actually starred in a blockbuster movie yet. That all changed this May with the launch of Furiosa: A Mad Max Saga, a prequel to George Miller’s Mad Max: Fury Road. And it’s a seriously big swing. That last film made approximately $380 million worldwide and scored 10 Academy Award nominations, winning six. It was also a notoriously difficult shoot. After seeing the film, Steven Soderbergh muttered: “I don’t understand how hundreds of people aren’t dead.”

Adding to the challenge, Taylor-Joy inherited the title role from Charlize Theron, who played the one-armed Furiosa with a buzz cut and indelible grit. The inevitable comparisons would be intimidating enough for any young actress, let alone one tasked with carrying her first global franchise. For Taylor-Joy, it turns out there was a more personal question at stake: Of her whirlwind career to date, she says, “I had no idea what it was to put myself first in any way or how I wanted to exist.”

Continue reading: Elle

Anya for The New York Times

Anya for The New York Times

Anya Taylor-Joy Still Can’t Make Sense of What She Went Through

THE NEW YORK TIMES – Playing the title character in “Furiosa,” the 28-year-old star says, “I’ve never been more alone than making that movie.”

There’s nothing normal about making a “Mad Max” movie, and Anya Taylor-Joy knew that when she signed on to star in “Furiosa: A Mad Max Saga,” the newest film in George Miller’s long-running action series.

“I wanted to be changed,” she said. “I wanted to be put in a situation in extremis where I would have no choice but to grow. And I got it.”

Trials by fire don’t burn much hotter than the conflagration that consumed “Mad Max: Fury Road” (2015), the most recent film in the franchise, which was one of the most infamously difficult productions in Hollywood history. In the works for nearly two decades, the movie was shut down several times by studio executives, who feared they were producing a big-budget boondoggle. And the constant clashes between Tom Hardy and Charlize Theron, two of its stars, in the remote Namibian desert required outside intervention.

Despite all of those headwinds, “Fury Road” was hailed upon its release as one of the greatest action films ever made; it would go on to win six Oscars and net a spot on many critics’ best-of-the-decade lists. Its success paved the way for the prequel “Furiosa,” in theaters May 24, which casts the 28-year-old Taylor-Joy as a younger version of Theron’s iconic warrior woman.

Plucked from her idyllic home by bandits, Furiosa grows up shuttled between two captors, the gabby psychopath Dementus (Chris Hemsworth) and the hulking warlord Immortan Joe (Lachy Hulme). Furiosa faces constant danger on both sides, and she strives to survive long enough to escape, keen to exact revenge on those who have taken everything from her.

Though Theron still casts a long shadow, Taylor-Joy stakes her claim on the role with a formidable ferocity: Under the grease that Furiosa smears on her face like war paint, the actress’s distinctive wide-set eyes blaze bright with righteous anger. To make Furiosa her own, she allowed herself to be put through an emotional and physical wringer for six and a half months. How did she feel in late 2022, when she finally wrapped the arduous production?

“Like I knew I was going to need the two years that it took for the movie to come out to deal with it,” she said.
Continue reading: NY Times

Anya for Variety

Anya has graced the cover of the latest issue of Variety! Check out the photos and article below.

Witness Anya Taylor-Joy: The ‘Furiosa’ Star on Making the ‘Mad Max’ Icon Her Own and Hopes for ‘Dune 3’

VARIETY – If you want to become a dystopian feminist warrior, you’re not going to get much sleep. That was one of the first things Anya Taylor-Joy learned on the set of George Miller’s “Mad Max: Fury Road” prequel “Furiosa.” Under heavy coats of makeup, shooting in the Australian winter when daylight was scarce, Taylor-Joy wished she could have stayed in bed at least through the crack of dawn. Instead, she’d rise up in the middle of the night, ready to do battle.

“I had the earliest call time of my life: 1:45 a.m.,” the 28-year-old actress says on a recent Los Angeles afternoon. “I’d be like, ‘I just wrapped! What do you mean?! It’s a mistake!’” Taylor-Joy recalls the painful mornings now with a gleeful theater-kid energy. She chronicled her entire transformation as Furiosa, and took photos of her various makeup tests. She flips through her phone to show me.

The photos are startling: Of course Furiosa, whom viewers first met when she was played by Charlize Theron in 2015’s “Fury Road,” lives a rough-and- tumble life — she’s fighting for survival in a post-apocalyptic world governed by road warriors. But the grit and grime covering Taylor-Joy’s face suggests hours in the makeup chair. “You will not believe how dirty I had to be for it to read on camera.” She pulls up a picture. “The first time I looked at myself in the mirror”— she fake gasps — “I was like, ‘Whoa!’ I looked like a creature from the Black Lagoon.” She’s covered in globs of brown and gory red. “That’s seven layers,” she says. “Of course, there’s blood — I’m always the ‘More blood!’ girl.”
Continue reading: Variety